Act III - Turning Point in Othello

In Shakespeargons play, Othello, there are various stages where pivotal strokes look out or foreshadow a catastrophic ending. In sour Four, mise en scene One, Othello falls into a trance and it is clear he is physically and e interrogative sentenceally a transformed man who has travel to demise. Such a image is a turning steer in the play as the audience flummox to grab him as a villain. However, it is previously in Act deuce-ace Scene trinity that Iagos plan to manipulate Othello is specify into place by genus Emilias actions. Additionally, it is in this scene that the audience are shown the capture of Iago set into Othellos suit by means of the alteration in his vocabulary. Thus, Act Three Scene Three plays a much significant role in the play setting into motion the tragic ending and last being the main turning flush.\nIn Act Three Scene Three of the play, Iagos influence on Othello is drive into his character. The previously respected passive-aggressive Othel lo is diminished and he begins to mirror the drab destructive characterization of Iago. Shakespeare presents such(prenominal) a turning point in the play through language. Iagos racism and criticisms of Othello begin to be voiced through Othello himself, he states: for I am black for I am declined into the vale of years I am maltreated and my computer backup must be to execrate her. The repetition of for I am installs a sense of word sense in Othellos tone. He does not deny his flow or age exactly he does view two as negative characteristics. This is shown when he refers to the idea that he is abused and thus disheveled or unnatural in proportion to Desdemonas proposed matches. Othello has disregarded the certain love and romance he shares with Desdemona and he begins to voice the whimsey of Iago. Additionally, as Othellos language intensifies becoming more and more sinister, it mirrors Iagos speech. Othello declares: Poison or fire of suffocating streams Ill not endur e it!\nThe dark...