What is your response to the play Othello? Discuss how the response is shaped by your own social context.

Othello, written by William Shakespe be in the early 1600?s, tells a sad tale ofjealousy, revenge, deception, manipulation and above all, the ever with associationing battle betwixt uncorrupted an evil. Shakespeare provokes a purview towards the integrity of humannature and raises a dramatic comparison between human sensibility and the outbreak ofmonstrous animal instincts. It is amusing, though disturbing, how free indian lodgeremains from basic philanthropic deeds in the urge to execute personal desire andsatisfying vindictive and vengeful emotions towards a buster man. Also, it is depressingto be act upon aware that the unnecessary divisions calm complicate alive(predicate) within innovational societybased on line of achievement and caste, have been carried organize in from centuries. My response to Othello is a wry and critical one overall, as it has been shaped by my own unexampled social context. I have been make into thinking about the ironic andhypocritic al stereotypes that divide society, and yet they envision to be perfectly justified asan accepted truth in the present. I fail to see Shakespeare?s, apparently solid psychiatrical hospital toexpress ideas regarding the flaws of human nature. He has perhaps been overshadowedby the necessity of providing a script which would court to a diverse range of auditionand to exercise a primary purpose of entertainment, in the 1600?s. However, this style of display is non inevitably attractive to readers or viewers of the 21st century and Icame to materialise it tedious in under holding and immaterial in ideology for ultramodern societyreaders or viewers. The play Othello raises many doubts towards its historic accuracy. Othello, the playsprotagonist and, in a general way, hero, is a Christian bind and usual of the armies ofVenice. Othello holds weight in his character and carries a positive(p) brain truth inpersonality wherever he goes and in whatever he has to say. In spit e of his high status, heremains easily cada! verous into insecurities because of his young age, his jazzy life as asoldier, and specially his on the face of it distinct race. His free- school principaled and open-heartedpersonality allows an round surmount from Othello?s ensign and secret enemy, Iago. This buildsthe basis of the play. However, it is questionable as to why Shakespeare gave much(prenominal)(prenominal) a highposition to Othello in the first place. In the Elizabethan era, it was highly unbelievable to haveany one from an alien race placed where Othello was. This raises the argument thatOthello?s issues are superficial and set by materialistic motivations for the sheerpurpose of entertainment. It is a common belief that Shakespeare utilize the tactic ofoffering a fine controversy to the audience in influence to raise appeal to his plays andattract publicity. The readers and viewers of modern society are put into muddiness as to whether or not toaccept the countingly exaggerated multi-cultural themes d epicted in Othello. Not provided dothey seem historically inaccurate, save are such a common part of today?s modern society,that we stool these ideas of racism and inter-racial relationships as nothing particularlyoutstanding. We are left(p) with a production of almost caricatured plots and characters,who although have sincere ethical motive to offer, are not depleten seriously by modern readers orviewers. On the brighter side, Othello offers a simple and clear depiction of themes and characters. opus they may not be very relevant or very amusingly presented, they are definitelyclear and obvious. The distinct characteristics of the Moor Othello, the innocentDesdemona, the dependable enough and intimate Cassio and of course the cunning and harshly evil Iagoset the delusion of the play, some(prenominal) as would be expected from the direction or costumes. Their distinguishing qualities stand out to the imagination, so that even in a give in of notpaying attention to t he characters, it becomes difficult to not think of t! heir actions,sentiments or personalities. as yet the differences between the character?s personalitiesand attitudes are so grounds and obvious that it offers almost a flavour to the script. Greater understood is the interweaving of influences passed on from character to character. These authoritative confrontations between characters influence an rice beer group in the play itself. In the forefront of the influential mind games is Iago. Iago held a lot of interest dueto his jumpy justifications of his vindictive actions. His occasional soliloquies through with(predicate)outthe play saw him communicating directly with the audience and large explanations tohis actions, and sometimes his outlooks towards the scenario at hand. In the first aspect heclaims to be angry at Othello for having not chosen him as surrogate (line 7-32). However, at the end of the same Act, he accuses Othello of having had an affair with hiswife, genus genus Emilia, ?It is thought abroad that twixt my sheets / He has done my office (scene 3line 369-370). However, no(prenominal) of these claims seem to justify Iago?s deep hatred ofOthello, and towards his black language, it seems that his completely(prenominal) primary motivation isracism. It also seems that his nature desires the satisfaction of make believe pain and distress. He is willing to take revenge on anyone at the slightest sign of threat or intimidation. Iago uses his intellectual charms and make abilities to manipulate other characters,and it seems that he takes great pleasure in this.

He starts by manipulating the foolRoderigo by convincing him that he would help in winning Desdemona?s love (Act 1,scene 3, line 349! ). His literal motive behind this is to scam Roderigo of his money. He and then, and most chiefly, manipulates Othello into a severe, pathetic and monstrous jealousyand suspicion towards Desdemona, in a quest to take an unclear revenge. The discussions between Emilia and Desdemona also highlight the discolour ofcharacterisation Shakespeare presents us with. In contrast to the extreme innocence seenin Desdemona, Emilia is a wild hearted whore-like character, who vivaciously believes inher love for Iago but at the same time believes in the independence and liberation of awoman. She tries to drive Desdemona of the fundamental nature of a man to bedominant and suspicious. She unknowingly and unsuccessfully warns Desdemona of thecoming danger that Othello himself would present. While Queen Elizabeth was a female,to express such values in a female character in a public play was quite risky in it self. Perhaps almost as risky as placing a moor at such a high position. However, as Ot hello?scharacter crumbled down to a pity, so did Emilia, ending with a less(prenominal) shameful, but just aspointless a death. Michael Cassio, Othellos young and inexperienced police lieutenant reflects Othello?sfundamentally good nature and eye to differentiate between good and evil. Cassio is theone character who tones down the high contrasts between the characters. He is presentedas down to earth and good natured, and on this basis is selected by Othello as lieutenant. Iago involved Cassio in a drunken brawl which causes Cassio to affirm off his position. Iagofurthermore uses Cassios youth, good looks, and friendship with Desdemona to play onOthellos insecurities about Desdemonas loyalty. Casio offers a patio mark to thereaders as a symbol of normality. Shakespeare, through Cassio, gives his pass thatnormality is possible to exist, but the evils within us may push through due to the callingactions of fundamentally evil persons. Overall, the play Othello is a combining of ideologies and highlights of human natures. While Sha! kespeare?s presentation of his ideas may not have lasted with much appeal to amodern audience, particularly of the younger age, his howling(prenominal) characterisation anddramatisation can still be appreciated. However, Othello then only remains as a casualwork of entertainment, and its rather mordant and ostensibly out-of-context melodramaBibliography:http://www.sparknotes.com/shakespeare/othello/www.shakespeare.mit.edu/othello/index.html If you want to get a full essay, coordinate it on our website: BestEssayCheap.com

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